Here are the images from our two day, a little into the third day, anti-gravity, tension, wrapped boxes, missiles, cones, and spheres still life. There are some pretty cool drawings here and I think everyone very much enjoyed this process.

Veronica has a very delicate touch with her pencil and built the image with a pretty unique marking system. It may present more challenge to crop into a composition that allows a closer observation.

Todd got very involved in pushing the graphite around and then erasing into the image. In fact, he may have gotten too caught up in that and never made it to the white forms. Let's try charcoal and see if things move a little faster, or crop into the subject a little tighter.

Stephanie got into charcoal with her drawing and did some abbreviating on some of the folds in the fabric. It's a pretty good range of values on the white forms, let's push to see an equal range on things that are not white.

Shawn used the prisma color stiks and got some pretty nice color layers to move the space around, nicely composed as well.

Philip used graphite here and really did some nice spatial things with the negative area by bringing in the skeleton. That drapery looks great.

Phil moved along slowly with his initial process, but once he found where he was going, the image almost appeared in one afternoon. It would be good to see the detail focus on all of the areas.

Miri painted with charcoal and created a really strong image of contrasts and movement. Beautifully composed.

Lori got into her pastels, and got the local colors of the form down and started to work in the other color shifts before the session ended. It would be good to see more of the details and the effects of colors lending to one another.

Joy used charcoal, pushing it around and then pulling it back out until the abstract elements started to take hold. Keep pushing to see the in-between value range.

Dani built her image one piece at a time. It would be good to see how the negative area might be built so that top plane could have some more drama. Nicely drawn.

Connie confessed that she never uses black...hmmmm...maybe this is the image to give it another chance. Very painterly oil pastels, but needs some darker areas.

Alex's perspective sort of denied the gravity issue creating a fabric encased totem pole. Let's see if some of the finer nuances of the subject can make it into some subsequent works.

Aberlyn move around the form in a one-step-at-a-time approach that created a very strong composition. Very Stephen Posen-esque.